Gabbing about the importance of facing the awkward, the awful, the upending and the just plain weird in the theater with special guest Paul Potenza, artistic associate with Jobsite Theater. This week Caught in the Act caught up with Paul Potenza, 30-plus-year stage veteran in the Tampa Bay area and artistic associate with our resident... Continue Reading →
It’s time for the big reveal: Act2, the official podcast of the Straz Center, launched last month on Soundcloud. Let’s face it. Not everybody reads. Some of you won’t even make it this far. Look, no judgment here. Life’s about adapting, and lots of people would rather pop open Soundcloud on their devices and tune... Continue Reading →
North Carolina soprano Jill Gardner’s musical ancestry and training led her to killing the role of Lady Macbeth. On Friday the 13th, Opera Tampa unloads quite the murderfest with their debut performance of Verdi’s Macbeth. The bloody story of a Scottish nobleman’s immoral rise to power, Macbeth was for Shakespeare, and here, for Verdi, really... Continue Reading →
Giuseppe Verdi’s version of “more cowbell” looks something like an entire chorus of witches in Macbeth versus the Bard’s three. In 1597, King James of Scotland wrote a work of what he considered to be definitive scholarship: Daemonologie, a paper on witchcraft. James, widely regarded by self and others to be an expert on the... Continue Reading →