Broadway Tunes a Source of Samples for Pop and Hip-Hop Artists 

When hip-hop began crashing pop culture’s party in the 1980s, Broadway didn’t seem like one of its potential destinations. Hip-hop’s South Bronx birthplace was 11 miles and a cultural world away from the theater district. https://youtu.be/10C-Q3NIlzU?si=_qkxFl8rrFT9cffY However, as hip-hop began infiltrating the mainstream, and eventually becoming the mainstream, it was perhaps inevitable that beats and rhymes would reach the Broadway stage.  By the time Hamilton blew... Continue Reading →

Rock Has a Home on Broadway

An Exclusive from INSIDE Magazine Do you know the first-time rock ’n’ roll was on Broadway?  Easy. Mott the Hoople played six shows in the Uris (now The Gershwin) Theatre May 7-11, 1974. Queen opened. The first time rock ’n’ roll was on Broadway? As a musical style considered wholly legit by theater audiences and professionals?... Continue Reading →

Resilience Through Storytelling: How The Outsiders Gives Voice to Marginalized Youth and Inspires Across Generations

In 1967, a 16-year-old from Tulsa, OK., quietly shifted the landscape of American literature. Susan Eloise Hinton, known more publicly as S.E. Hinton wrote The Outsiders from her bedroom while still in high-school. What began as a response to the fractures she observed among her peers—the invisible line between those with privilege and those without—became... Continue Reading →

1980s Movies Ripe for Rediscovery

"The Outsiders" isn’t the first (or second or third) title that usually comes to mind when the subject of films directed by Francis Ford Coppola is mentioned. Everything Coppola has made that isn’t “The Godfather,” “The Godfather Part II” or “Apocalypse Now“ will find little space left in a limelight shared with those giants. “The... Continue Reading →

Even During Major Renovation, Shows Will Go On

An Exclusive from INSIDE Magazine Fences weren’t part of the original design of Straz Center, and they’re certainly not part of the renovation.  Fences don’t play much of a role in our past and future but, boy, are they ever-present in our present.  Straz is undergoing a major multimillion-dollar renovation that includes expanding education spaces for... Continue Reading →

Many Dorothys Have Traveled to Oz on Film and Stage

Few once-common names have become so identified with fictional characters that there’s practically no other use for them. Mention “Dorothy” and the majority of Western Civilization will picture sparkly red shoes, a yapping terrier and Judy Garland in farm-girl drag. Parents considering naming a child Dorothy should stop and reconsider. https://youtu.be/jknhvVk1Fs0?si=o80rQ-5tPPO-gsas Just as the name... Continue Reading →

The Many Faces of Dracula

Dracula is revered as one of the founding fathers of modern horror, along with his buddies Frankenstein and the werewolf. The cape-wearing, fang-bearing bloodsucker has sunk his chompers into every medium of entertainment, even transcending the horror genre. This blog aims to briefly discuss the legacy of Dracula, from novel to film to stage. Bram... Continue Reading →

An Anne by Any Other Name …

This is a column about Anne Hathaway. It’s also a column about Anne Hathaway. Anne the former was born and lived in the Elizabethan era. Aside from being married to the playwright William Shakespeare, little is known about her. Anne the latter lives in whatever era we’re in right now. Because she is a present-day... Continue Reading →

Happily Shucked

Shucked, the hit musical with all the corn jokes and a sneaky little message about inclusion, has drawn raves from audiences. The musical’s upcoming run in Morsani Hall could be extra special because, well, Tampa’s in the show. Not all of us, like everybody in Tampa, is in the show. But our city, our home,... Continue Reading →

Actor Becomes Jobsite’s Master of Puppets

Some are born to puppeteer. Some have puppeteering thrust upon them. Spencer Meyers falls into the latter category. Spencer Meyers, group sales manager at Straz Center. After Spencer successfully manipulated not one but two puppets – including the lead – in 2002’s Straz production of Avenue Q, Jobsite Theater’s Producing Artistic Director David Jenkins tapped... Continue Reading →

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