Female firsts in the spotlights

There seems to be an almost cultural fixation with firsts – first car, first kiss – who are we not to play along? Later this month, Jobsite Theater opens its season with Dr. Ride’s American Beach House, a play set on the eve of astronaut Sally Ride’s historic 1983 launch as the first American woman... Continue Reading →

SHOCKING NEWS! Jobsite’s getting weird this June

Guest Blogger and Jobsite Artistic Director David M. Jenkins gives Caught in the Act a look inside the nightmares and belly laughs of Shockheaded Peter https://videopress.com/v/dpzfcUxr?preloadContent=metadata A little bit Tim Burton, a little bit Edward Gorey, Shockheaded Peter is the phantasmagorical staging of Heinrich Hoffman’s 1845 pitch-black children’s book, Der Struwwelpeter. It’s a self-proclaimed “junk... Continue Reading →

Puppets Take Centerstage With Some Strings Attached

With its roots in ancient culture, including ivory and clay figures found in Egyptian tombs, puppetry has long been employed in storytelling including the theater. Terracotta Ancient Greek dolls. Exhibited in the National Archaeological Museum in Athens, Room 56. Picture by Giovanni Dall'Orto, November 11 2009. Both Aristotle and Plato in ancient Greece, referenced puppets in their... Continue Reading →

Franky, He’s a Heck of a Guy

Actor, director and teacher Giles Davies has happily been working with Jobsite since the 2011 production of Quills. He has been seen in the company’s productions of Othello, 1984, The Tempest, Cloud Nine, Twelfth Night, The Hound of the Baskervilles, Macbeth, Fahrenheit 451, his one-person show POE and the Job-side project Check (which he co-wrote).... Continue Reading →

Theater is ‘to be’ as Jobsite opens Shakespeare (abridged) on Riverwalk Stage

Over the loud lightning strikes from our seemingly daily thunderstorms we’ve heard your cries: “Break’s OVER.” The Straz Center and its resident theater company, Jobsite Theater, have worked during our COVID-19 intermission, with intermittent pauses to lounge on our chaises of course, to bring performances back to our stages with appropriate social distancing and cleaning... Continue Reading →

Who is Larissa Fasthorse?

Jobsite Theater’s latest knockout of a show presents the work of Native American playwright Larissa Fasthorse. Obviously, she’s gonna have a few thoughts on Thanksgiving. The Thanksgiving Play opened in the Shimberg Playhouse a few weeks ago to rave reviews. The play is terrifically funny, especially if you’re looking for someone to jab a sharp... Continue Reading →

Who in the World is Lucy Kirkwood?

Jobsite Theater’s current offering in their record-breaking season is a work by one of the Royal Society of Literature’s designees for their “40 Under 40” initiative—and one of the most exciting young playwrights out of the box in a long time. Before she even graduated from University of Edinburgh, Lucy Kirkwood had caught the attention... Continue Reading →

Someone Rapping at the Chamber Door

Caught in the Act catches up with Jobsite Theater during rehearsals of their next exciting production, Edgar and Emily. Edgar as in Allan Poe. Emily as in Dickinson. Yes, the granddaddy of Southern Gothic literature winds up in the bedroom of the emdash enthusiastic belle of Amherst, Emily Dickinson. Confined to this space, made all... Continue Reading →

All That Glitters is Gold for Jobsite Theater

Jobsite Theater opens its 2018-2019 season with a return of Spencer Meyers in the lead role of Hedwig and the Angry Inch. Spencer, who by day plays our unflappable group sales associate at The Straz, debuted as Hedwig in Jobsite’s 2013 production. Says Jobsite Artistic Director David Jenkins, “I always knew the prodigious talent inside... Continue Reading →

I’m Uncomfortable

Gabbing about the importance of facing the awkward, the awful, the upending and the just plain weird in the theater with special guest Paul Potenza, artistic associate with Jobsite Theater. This week Caught in the Act caught up with Paul Potenza, 30-plus-year stage veteran in the Tampa Bay area and artistic associate with our resident... Continue Reading →

The Thief and His Thief-Taker General

The unbelievable true crime story behind the swinging jazz standard “Mack the Knife.” Once upon a time, there was a five-foot-four London folk hero who inspired John Gay’s The Beggar’s Opera, which inspired Bertolt Brecht and Kurt Weill’s The Threepenny Opera, which contained the song “Mack the Knife,” which became a snappy lounge tune for... Continue Reading →

Celluloid Dreams

An in-depth convo with Straz Center Senior Director of Marketing, Summer Bohnenkamp, who directs her fifth production with Jobsite Theater – this season’s opener, The Flick. Jobsite Theater, almost 19 years into its illustrious reputation as one of the strongest regional theater companies in Florida and beginning their 13th as resident theater company of the... Continue Reading →

Gender Bender

By David Jenkins, guest blogger Part of life in the performing arts includes the many international scholars who study theater, music and dance, writing on these topics and delving into impressive intellectual inquiry into the art forms and why they matter. One area of interest naturally includes the examination of sexuality and gender identity in... Continue Reading →

Up ↑