Photo: Brian Thomas Desmond Richardson is co-founder and co-artistic director of Complexions Contemporary Ballet. Called “one of the greatest dancers of his time” by The New York Times, Richardson danced with the Alvin Ailey American Dance Theater as a principal dancer from 1987 to 1994 and, in 1997, joined American Ballet Theatre where he was... Continue Reading →
Ella es la reina del baile. La reina de musica. La reina … de todo. Ask Cubans “who is Alicia Alonso?“ and you will hear this short, comprehensive explanation: she is the queen of dance. The queen of music. The queen … of everything. Alonso, born in Havana in 1920, possessed a gift for dance... Continue Reading →
“The Arts Endowment’s mission was clear – to spread this artistic prosperity throughout the land, from the dense neighborhoods of our largest cities to the vast rural spaces, so that every citizen might enjoy America’s great cultural legacy.” --from National Endowment for the Arts: A History 1965-2008 During the desultory years of the Great Depression,... Continue Reading →
Many performing arts lovers shouted “Bravo!,” “Finally!” and “What Took So Long?” when American Ballet Theatre soloist Misty Copeland broke the oft-unspoken color barrier in the European-standards of ballet to become an international star. Her recent commercial for Under Armor went viral, forcing people to rethink their notions of ballet dancers as athletes and also... Continue Reading →
To our delight, the Caught in the Act staff discovered a box of newspaper articles and fundraising artifacts from the Straz Center’s early years, many from the inaugural 1987-1988 season. We decided to create a regular feature called From the Vault to share these snippets of performing arts history with you. Enjoy! October 19, 1987... Continue Reading →