Under a tight schedule, it takes eight weeks to replace one stage floor. Last summer, we had only five. And two enormous stages. Life is not fair. But, if you have a good sense of humor, it is funny. Running The Straz takes an enormous amount of effort on what we call the “back end,”... Continue Reading →
The performing arts are big business. In this industry, we have a lot of super important jobs for people who love the theater but who may have no interest in performing professionally. This week, we sat down with Gerard Siegler, Straz Center director of production services, who plays a huge part in making sure the... Continue Reading →
The performing arts are big business. In this industry, we have a lot of super important jobs for people who love the theater but who may have no interest in performing. This week, we sat down with Straz Center costumer Camille McClellan, who costumes dance and musical theater productions for the Patel Conservatory, to find... Continue Reading →
Okay, okay, so Morsani and Ferguson Halls “going dark” for August may not be as dramatic as Othello in Desdemona’s bedchamber (who got the blog title reference?), but us taking a short time-out is important for a number of reasons. Want to know what secret stuff we’re up to in the big Straz venues? We’re... Continue Reading →
Fly systems, rigging systems, whatever you want to call them, just know there’s a very serious show happening in the 60-plus feet of air above the show on stage. One of the wondrous aspects of theatrical life, even from its beginnings, is the delightful mix of labor, craft and personalities required to pull off a... Continue Reading →
The fascinating story of acoustics in Morsani Hall Next time you take in a concert or opera in Morsani Hall, also take in the acoustical secrets that hide in plain sight–the doors, the interior chambers between the lobby and the hall, and the cavity at the top of the theater. All of them work in... Continue Reading →
By guest blogger Carol Cohen, Mother Matryoshka performer for 5 years Among the whip-thin ballerinas performing grand jetés and assemblés in the Russian Imperial ballet of the Nutcracker, loom the rotund, bouncing figures of the Mother Matryoshkas—eight Russian nesting dolls, appearing in descending order of height and girth. The Matryoshkas--meaning “little mother” in Russian--appear on... Continue Reading →
Big, blockbuster Broadway musicals come with singers, dancers, fabulous costumes ... and many trucks. How do those whopping set pieces end up on Carol Morsani stage? The answer is lots of (literal) manpower. We took some after-hours and behind-the-scenes photographs of the “load-in,” which is the usually very quick turn-around time between when the show... Continue Reading →