Mean Girls 101

The essential guide to cult classic catch phrases

This week, Caught in the Act welcomes guest blogger Alex Stewart, media relations manager for The Straz and a big fan of the Mean Girls movie. Our resident subject matter expert on the most memorable lines from the film, Alex agreed to take us through this Mean Girls primer to get us ready for the upcoming musical adaptation.

By Alex Stewart

Get ready to leave the real world and enter Girl World when Mean Girls comes to the Morsani stage February 18-23. The Broadway musical is based on the 2004 film, both written by Tina Fey. The film, now almost 16 years old, has become a modern cult classic and one of the most quotable movies of our time. In honor of the upcoming burn fest, we wanted to share some of the most fetch phrases from the film – because when it comes to quoting Mean Girls, the limit does not exist.

 “On Wednesdays we wear pink.” – Karen Smith

Arguably one of the most recognized and quoted lines from the movie, Karen excitedly tells Cady Heron what to wear in order to sit with the Plastics (the most popular girls in school) the next day at lunch. This line has inspired an insane amount of merch, as well as countless women across the internet documenting a week they spent living by the Plastics’ rules, which are as follows:

  1. You can’t wear tank tops two days in a row.
  2. You can only wear your hair in a ponytail once a week.
  3. You can only wear jeans or track pants on Fridays.

Don’t forget that hoop earrings are Regina’s thing, and you wouldn’t buy a skirt without asking your friends first if it looks good on you, right? And in the Plastics’ world, if you don’t follow the rules …

“YOU CAN’T SIT WITH US!” – Gretchen Wieners 

The ultimate representation of girl-on-girl crime and bullying, Gretchen shouts this line at Regina when she walks up to the table wearing sweatpants on a Friday, which is against the rules of the Plastics. We’d bet that most people have jokingly shouted this line at someone, many without even knowing it’s from Mean Girls.

“On October 3rd, he asked me what day it was. It’s October 3rd.”

Thanks to this iconic line, October 3rd has unofficially become Mean Girls Day. Cady Heron is so into Aaron Samuels that she notes the exact day that he asked her what day it was, obviously making it one of the most important days of the year.

“She doesn’t even go here!” – Damian Leigh

One of the most well-known references in the film, Damian shouts this at an all-girls assembly wearing a hoodie and sunglasses in reference to a girl who doesn’t go to their school but won’t stop talking. The best part about this line? There are so many ways to integrate it into daily life:

Did someone give an opinion no one asked for? SHE DOESN’T EVEN GO HERE!

Is there a rando interrupting your conversation? SHE DOESN’T EVEN GO HERE!

Now, you try.

“That is so fetch!” – Gretchen Wieners

Even though Regina told Gretchen to “stop trying to make fetch happen. It’s not going to happen!”, fetch did happen, despite the odds. Now it’s part of our vernacular, thanks to the film.

“Four for you, Glen Coco. You go Glen Coco! …And none for Gretchen Wieners.” – Damian Leigh

In the film, Damian, dressed as Santa, is handing out candy cane grams to students in class. Glen Coco receives four candy cane grams from someone, while Cady receives one from Regina and Gretchen receives none. This is part of the plan to take down the Plastics – and while Glen Coco has absolutely nothing to do with the plot, the delivery of this line has made him live in infamy.

Fun fact: Glen Coco was played by David Reale, who was uncredited in the film. Reale was not cast; he walked onto to the set to watch the filming and get free lunch. You go, David Reale!

“Get in, loser. We’re going shopping.” – Regina George

This iconic phrase has inspired endless memes. From dogs and llamas in cars (our favorites) to Dr. Who and the TARDIS to so many more. The possibilities for using this phrase are endless.

“Whatever, I’m getting cheese fries.” – Regina George

One of the most relatable quotes from the film for pretty much anyone, Regina declares this after she says she’s only eating foods with less than 30% calories from fat. We’ll take cheese fries over math any day.   

“I’m not like a regular mom. I’m a cool mom.” – Mrs. George, Regina’s mom

Regina’s mom says this line to Cady after the Plastics are invited to Regina’s house. A suburban housewife, Mrs. George tries to maintain her youth by wearing hip clothes, partaking in plastic surgery and offering to allow the girls to drink alcohol—if they do so in the house.

One of the most quoted phrases by moms of humans and pets alike, this line has cemented itself in modern culture. There are currently over 20,000 Instagram posts with the hashtag #ImNotaRegularMomImaCoolMom.

“It’s like I have ESPN or something.” – Karen Smith

This phrase is solely responsible for making ESPN grool. Karen, described as “one of the dumbest girls you’ll ever meet,” explains to Cady that she has a fifth sense. Mixing up the psychic ability ESP with the sports channel ESPN, this is one of the most obvious and ridiculous jokes, making it one of the most quotable phrases in the film.

“That’s why her hair is so big, it’s full of secrets.” – Damian Leigh

Used today by beauty influencers everywhere, this phrase is another brilliant line delivered by Damian. He uses it to describe Gretchen, whose dad invented the Toaster Strudel.

There you have it. Now that you’ve brushed up on the most fetch Mean Girls quotes, don’t forget to grab tickets for the show.

Come with Me, and You’ll Be, in a World of Pure Imagination

Patel Conservatory theater instructor Joe Herrera teaches students at Burnett Middle School that you can find yourself (and change the world) with a little imagination. Caught in the Act welcomes Straz Center media relations manager Alex Stewart as our guest blogger this week.

by Alex Stewart, guest blogger

Let’s play a theater game. I want you to imagine you have a long, skinny neck. Now, walk around the room as if you have one. Project how that would look. Would it influence the way you walk? Would your voice sound different? How would this change your overall appearance? Next, do the same as if you have a short, fat neck. Does that change your voice? Your behavior? Now, act as if you have long, green finger nails. Does that make you feel like a creepy witch? Or more like Cardi B with her signature blinged out nails?

Do you feel weird yet? Good. Because this is a no judgment zone – and here at The Straz, that’s what we strive for. Be weird. Be yourself. And have fun with it.

This fall, students at Burnett Middle School, a Title I school in Seffner, are learning how to be their weird, true selves through theater games just like this – and discovering how to bring their unique personalities into the characters they are aiming to create.

Joe meets the class in the school auditorium theater where they warm up with theater games.

Patel Conservatory theater instructor Joe Herrera and Burnett Middle School drama/English teacher Cathy Cromar are teaching students acting and characterization techniques using Roald Dahl’s Charlie and the Chocolate Factory as inspiration, just in time for the Broadway show’s arrival to The Straz. This class is made possible by the Straz Center’s Arts Education Partnership Program, which partners with agencies, schools, community organizations and after-school programs to expose children and adults to the life changing benefits of the arts – at no cost to them, thanks to donors and grants. How sweet is that?

Look, it can be expensive to go to the theater. You need transportation, money for parking, and let’s not forget the cost of the actual ticket itself. And what if you want to treat yo’ self? That candy bar in Morsani Lobby is tempting. Simply put, not everyone can afford access to the arts. With arts classes and programs being cut out of school curriculums, some kids might get no exposure to them, which is why the Arts Education Partnership Program is so important.

Coaching individual students on finding the courage to perform.

Burnett Middle School has been a community partner for several years, but this year the program was able to provide students with free tickets to Roald Dahl’s Charlie and the Chocolate Factory and cover the costs of transportation to the theater, in addition to the eight-week class Joe is teaching.

“Many of my students have never been to a live performance or ever taken part in one,” says Cathy. “The students come away from this experience with an appreciation for this art form, knowledge of theater etiquette, which we stress in our class, and the ability to step outside your comfort box and perform, even if you’re frightened to do so.”

The class encourages students to explore and discover the crazy characters from Charlie and the Chocolate Factory, using their imagination to create their own versions of some of the iconic characters. The goal being to break these students out of their shells – to use these characters to learn about themselves and to gain confidence and focus in their everyday lives.

Joe shares his expertise from his career as a professional actor in the Anton Chekov technique to build trust and guide students’ acting choices.

“My process into theater making and acting has always been the imagination,” says Joe. “And I think when you look at the story of Charlie and the Chocolate Factory, whether it’s the musical or the film versions or even the novel, there are so many different themes,” says Joe. “But what resonates for me as a human being and as an artist, it’s the idea that nothing’s impossible. It’s tapping into that inner child. And I think that what I’m starting to see more and more these days with kids is that they’re losing their inner child, even at a young age.”

When the class first started, many of the students hadn’t seen the movie or read the book, so Joe prompted them to use their imaginations to create their chosen character based on the character names alone. The students were asked to write a diary entry from the perspective that they were a Golden Ticket winner, to help them understand and explore the emotional aspects of their character. Next, they were asked to add physicality, and imagine what that would look like. “If you were Willy Wonka, how would you walk? Is he old? Does he have a limp? Show me that,” asks Joe.

After the students see the show at The Straz on October 10, they will be asked to draw their character, free form and uncensored. And if it’s nothing like the book, movie or musical? Perfect. “There’s no right or wrong when you’re using your imagination,” says Joe. The class culminates with the students performing monologues based on their diary entries, incorporating the emotional, physical and visual techniques they’ve learned throughout the class.

“You’ll hear me say this a lot – there’s no right or wrong in theater. My goal is to create an atmosphere of fun-ness, so that they can break out of that shell of right and wrong, that they are so used to in school. And there’s room for that – but with art there isn’t. It’s a basis of you. You are the expression of that thing,” Joe says.

Participating in the “silly shapes” games that asks actors to improvise shapes in order to discover their physicality onstage.

And fun-ness, Joe delivers. Students participate in a range of activities and theater games during the class, from creating twisty shapes with their bodies to working together to build a “sound machine” of different noises. The students are active most of the class, learning to make friends with each other and the space.

While theater games and drama class can be fun, kids learn skills from the arts that can help them in everyday life. “I want them to see that this is not just a class ‘to have fun’ … we’re actually learning skills that can benefit us elsewhere, like doing a presentation in class,” says Cathy. “Joe is such a positive, animated actor; this rubs off on the kids. I can see that they trust him and will try anything he asks them to do.”

Each class ends with a round table evaluation of what students learned and what they can take from the class into their everyday lives.

The arts not only boost students’ academic achievements, but they help them figure out who they are. The arts allow them to be creative, collaborate and problem solve, among many other benefits, which sets them up for success in future careers.

“What can theater do? What can the arts do? It can bring out that self-expression,” says Joe. “I explained to the students that there are many different individuals that I’ve come across. They start out in a theater class or an acting class, and yet, they’re not actors. They’re working in other areas. They’re businessmen or businesswomen, they’re public speakers or they’re lawyers. And what it does, is it helps you to identify who you are, number one. And number two, it helps you to communicate so that you can achieve the things that you want.”

Ultimately, Joe wants his students to be able to find their true, authentic selves, and for them to know that nothing is impossible, just like Charlie and the Chocolate Factory.

“The golden ticket for you may not be theater. It may not be art, it may not be acting. But what I’m trying to introduce to them is to tap into the inner you. The you that is so pure, the you that is so true, the you that is so authentic. The you that the world needs because that’s why you are here.”

Get your tickets for Roald Dahl’s Charlie and the Chocolate Factory today before the Wonka factory rolls out of Tampa.

Let’s Eat Chocolate

In honor of Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY opening in a month, we thought we’d give you a head start on some delectable chocolate recipes you can make at home. We asked our renowned pastry chef Jamie Paultre for his three favorites, and here they are.

We don’t mean to brag, but—well, we do; yes, we’re bragging—chocolate first arrived in the American colonies in Florida. That’s right. The mouth-watering, life-giving force introduced itself on our shores via a Spanish ship in 1641. By the time the Revolutionary War rolled around, cocoa beans were a major American import considered a utilitarian staple in pantries across the New World. Soldiers had chocolate in their rations.

The Aztecs and Mayans, early pioneers in assigning value to cacao beans, used the fruit as currency. They also served liquid chocolate to human sacrifices prior to said fate to cheer them up a bit. Civilizations in other parts of Latin America and Mesopotamia used the beans and fruit for eating and drinking. The Latin name for the cacao tree translates to “food of the gods” and today, in the United States alone, chocolate generates a 4-billion-dollar-plus economy. The average American eats about a half a pound of chocolate each month.

We’re going to go out on a limb here and suggest that Roald Dahl’s classic tale of a poor boy lucking his way to a Golden Ticket might not have seen the same popularity had Willy Wonka owned a broccoli factory. Chocolate makes life delicious.

So, when we wanted to share some deliciousness with you to celebrate the brand-new Broadway production of Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY opening Oct. 8, our first thought was to track down the Straz Center pastry chef, Jamie Paultre. We asked him to reveal his three favorite recipes using chocolate as a main ingredient. He delivered these three whoppers, each requiring simple ingredients you may already have in your pantry.

1.    Chocolate Flan Cake

Yield: 1 flan cake

Hard Caramel

Caramel Weight – grams Volume
Sugar, granulated 200g 1 cup
Water 40g 3 tbsp
Corn syrup 22g 1 tbsp
  1. Bring sugar, water and corn syrup to a boil.
  2. Brush sides of pot with a brush to remove any sugar on the sides.
  3. Cook sugar mixture until amber color.
  4. Pour caramel evenly around the bottom of a bundt pan. Set aside to cool.

 

Flan

 Flan Weight – grams Volume
Condensed milk 800g 2ea – 14oz cans
Milk 560g 2 ¼ cup
Cream cheese 225g 8oz block
Eggs, whole 300g 6 eggs
Eggs, yolks 60g 4 yolks
Vanilla extract 14g 4 tsp
  1. Combine all ingredients in a bowl.
  2. Blend using an immersion blender until smooth, being careful not to incorporate any air. Set aside.

Chocolate Cake

Chocolate Cake Weight – grams Volume
Cake flour 80g 2/3 cup
Cocoa powder 30g 1/3 cup
Baking soda 3g 1/2 tsp
Salt 2.5g 1/4 tsp
Dark chocolate 115g 1/2 cup
Butter 115g 1 stick
Buttermilk 130g 1/2 cup
Sugar, granulated 100g 1/2 cup
Eggs, whole 100g 2 eggs
Vanilla extract 7g 2 tsp
  1. Melt together butter and chocolate. Set aside.
  2. Sift together flour, cocoa powder baking soda and salt. Set aside.
  3. Whisk together buttermilk, sugar, eggs and vanilla extract.
  4. Whisk chocolate mixture into egg mixture.
  5. Mix the chocolate mixture into the flour mixture.
  6. Pour cake batter into the bundt pan.
  7. Fill the mold the rest of the way with the flan mixture.
  8. Bake in a water bath at 300 degrees F in a conventional oven. Cook until center reads 180 degrees F on thermometer, approximately 1.5 hours.
  9. Refrigerate overnight.
  10. Place plate or serving tray with a lip on the bundt pan and flip to unmold.

 

2.    Chocolate Passion Verrine

Yield: 12 2oz shot glasses

Chocolate Panna Cotta

 Chocolate Panna Cotta Weight – grams Volume
Milk 38g 2 ½ tbsp
Heavy cream 200g 7/8 cup
Sugar 50g 1/4 cup
Gelatin 3g 1 tsp
Dark chocolate 75g 1/3 cup
  1. Place milk in a bowl large enough to hold chocolate and heavy cream.
  2. Sprinkle gelatin over milk, let bloom for 5 minutes.
  3. Meanwhile, combine sugar and cream in a separate pot and bring to a boil.
  4. If using chocolate bar/squares, chop into small pieces, then put into the bowl with milk and gelatin.
  5. Pour boiling hot cream mixture over the chocolate.
  6. Whisk till combined. Let cool to around 100 degrees F.
  7. Place 2oz shot glasses in a muffin pan at a 45 degree angle.
  8. Pour into glasses until it almost reaches one edge of the glass. Let set in fridge.

Passion Fruit Curd

Passion Fruit Curd Weight – grams Volume
Passion fruit puree 170g 2/3 cup
Sugar, granulated A 50g 1/4 cup
Egg, yolks 95g 6 yolks
Eggs, whole 100g 2 large egg
Sugar, granulated B 50g 1/4 cup
Butter 100g 1/3 cup
  1. Combine sugar A and passion fruit puree in a pot and bring to a boil.
  2. When almost at a boil whisk together yolks, whole eggs and sugar B in a bowl large enough to hold eggs and puree.
  3. Temper boiling puree into egg mixture.
  4. Return to medium heat and cook until thickened, while continuously stirring curd and scraping sides and bottom of pot.
  5. Once thick remove from heat and whisk in butter.
  6. Let cool to room temperature.
  7. Remove shot glasses from muffin pan and stand straight up.
  8. Pipe curd into shot glasses on top of the panna cotta, filling the glass the rest of the way.
  9. Let cool in fridge.

Decoration (optional)

  1. Top with whipped cream
  2. Place piped chocolate decoration or chocolate shavings on whipped cream

3.    Chocolate Caramel Tart

Yield: 1 9in tart

Hazelnut Pate Sable

 Hazelnut Pate Sable Weight – Grams Volume
All-purpose flour 125g 1 cup
Sugar 40g 3 tbsp
Powdered sugar 20g 2 ½ tbsp
Butter, cold 120g 1/2 cup or 1 stick
Ground hazelnuts 50g 1/2 cup
  1. Combine all ingredients until butter is incorporated.
  2. Refrigerate for 30 minutes.
  3. Roll out 3mm thick.
  4. Place in greased tart pan.
  5. Bake at 325 degrees F until golden brown.
  6. Let cool set aside for later.

Caramel

 Caramel Weight – grams Volume
Sugar 200g 1 cup
Corn syrup, light 40g 2 tbsp
Water 40g 1/4 cup
Butter 75g 1/3 cup
Heavy cream 75g 1/3 cup
  1. Combine sugar, corn syrup and water in a pot.
  2. Bring to a boil. Brush side of pot with a wet brush to remove any sugar crystals sticking to side.
  3. Cook to 320 degrees F.
  4. Remove from heat and carefully whisk in butter and heavy cream.
  5. Return to heat and cook to 250 degrees F.
  6. Pour into tart shell. Let cool.

 

Ganache

 Ganache Weight – Grams Volume
Heavy cream 200g 7/8 cup
Dark chocolate 200g 1 cup
Sea salt As needed As needed
Hazelnuts 25g 1/4 cup
  1. Bring heavy cream to a boil.
  2. Meanwhile, if using a bar/square of chocolate cut it up into small pieces, then put into a bowl large enough to hold chocolate and heavy cream.
  3. Pour over dark chocolate.
  4. Whisk together until smooth.
  5. Pour over caramel.
  6. Let cool.
  7. Finely chop hazelnuts and toast them.
  8. Once chocolate is almost set sprinkle with sea salt. On the edge of the tart, sprinkle with the finely chopped, toasted hazelnuts.

 

We Can’t Fight This Feeling Any Longer

In honor of Broadway’s hit 80s fantasia ROCK OF AGES playing at The Straz June 11-15, Straz staffers busted out our old 80s hair pics—just for you. As you’ll see, we were *not* afraid to let it flow.

Well, folks, this is it. We’re in the final countdown before the 10th anniversary tour of ROCK OF AGES storms Morsani stage. This show ain’t looking for nothing but a good time. So, how can we resist showing an unfiltered glimpse into our 80s selves: high hair, butt-cuts, feathered bangs and all.

LeeAnn
Believe it or not, this isn’t Joan Jett. This hardcore rocker babe ended up transforming into a digital guru and is now the woman who makes sure you have a super easy time navigating our website and buying your many tickets for big Broadway shows like ROCK OF AGES.

 

Paul
This fresh-faced freshman could have been a stand-in for the Brat Pack’s humble heartthrob Andrew McCarthy on the set of St. Elmo’s Fire. Instead, he parlayed his smarts and champion smile into a career in public relations. For the record, he still has great hair.

 

Emily
From this school photo, you can see right away that this young woman is into growth and development, aptitudes that served her well in her career choice at The Straz. We submit this photo as proof that perfect 80s hair existed. Please take all the time you need absorbing the cascading pouf of bangs spilling into a frothy cloud of tousled spirals, offset by a perfectly-Aqua Netted wing over the left ear. Bravo!

 

Summer
In the 80s, hair was not only tall but wide, as you can see here. For maximum volume and girth, you were nothing without Aussie Sprunch Spray and a can-do attitude regarding home perms. That kind of detailed attention to achieving results created the performing arts vice presidents of today—just saying.

 


No decent 80s kid worth their salt didn’t dabble in post-New Wave pop. This photo, however, represents full commitment. This lovable lovechild of Pet Shop Boys and Tears for Fears currently decides on major graphic looks for The Straz. By the way, he art directed this photo shoot for his senior portrait, complete with Janet Jackson statue.

 

Carol
Body, body, body, feather, feather, feather … part it right down the middle straight as a highway. The early 80s, trundled in by REO Speedwagon and nurtured by Asia, with their rains in Africa and heat-of-the-moments, inspired the transitional Farrah-Fawcett-70s-do-morphing-into-Molly-Ringwald’s-bob, captured expertly here by the woman who makes every CenterBill program booklet possible.

 

Jeanne
We were the generation for whom 1999 seemed like an impossibly long time in the future; yet, we partied like it was anyway, often with our hairstyles, which mixed equal parts Wendy to Lisa. Our moral universe was built around the notion of only wanting to see others laughing in the purple rain (purple rain). Who didn’t want to be a member of the Revolution? In the 80s, if you weren’t in Prince’s band, you could at least look like you were. No one at all would be surprised when, later, you became an extremely successful performing arts programmer.

 

Stephanie
The funny thing about the 80s (well, one of the funny things), is that your hair could fit in at both a Heart concert and at a Dynasty watch party. Big curls were key, and big blonde curls were as valuable as hard currency. It was great hair to have if you wanted to experience the full spectrum of the 80s aesthetic from glam bands to rousing debates concerning the shenanigans of Knots Landing. This 80s charmer rocking the Nancy Wilson hair and the Carrington family vibe would end up being the perfect combo to market opera to modern audiences.

As If Going to the Theater Wasn’t Fun Enough, They Had to Invent the Lottery

bom_lottery-drawing_edit

A crowd of people eagerly await the results of a ticket lottery for Book Of Mormon at The Straz.

It all started with Rent.

When that show blew up and became the hottest ticket in town, the producers tried a radical idea to make the show more accessible to as many theatergoers as possible: sell the first two rows of orchestra seats for a scant $20 a pop on a first-come-first-served basis. In no time, students lined up at dawn to purchase these “rush” tickets when the box office opened, and the idea – like the show – was a huge hit.

Since then, producers have been concocting fun ways to get massively discounted tickets into the hands of the widest possible audience. Recently, one of the most exciting pre-show events to emerge for these ultra-affordable tickets is the lottery.

That’s right. A good, old-fashioned luck of the draw: go to the theater, write your name on a card, drop in in a box, then wait. Competition is fierce, and hope runs high, with sometimes 200 people vying for up to one pair of coveted tickets to shows such as Matilda, Kinky Boots and Wicked.

lottery-button-2
A few hours before curtain, a representative of the show (or theater) passes a hand over the box as the crowd of fans holds its breath with anticipation. The person reaches in the box, draws one card, then reads the name to the waiting crowd. Most groan, but there is one cheer – if your name comes out, you’re the lucky winner of one or two seats to the big show at a fraction of the box office rate. As technology advanced, the old-fashioned ways included a new-fangled digital lottery, where patrons can throw their proverbial names in the hat via a cell phone app – and be notified by text if they are winners.

One show hosting a pre-curtain lottery is Wicked*, running in Morsani Hall Feb. 1-26. This thrilling game of odds gives all people a chance to buy a ticket and take a ride to the other side of Oz. And if you lose … who cares? You can always come back and try again tomorrow. But you gotta show up in person; there’s no app to get you to Emerald City on the cheap.

*A limited number of tickets will be available by lottery for the performances of Wicked. Entries will be accepted at the Straz Center Ticket Sales Office two and a half hours prior to each performance. Two hours before curtain, names will be drawn at random for a limited number of tickets priced at $25 each – cash only. Winners must be present at the time of the drawing and show valid identification to purchase tickets. Limit one entry per person and two tickets per winner. Tickets are subject to availability.

Talking With Yu Ho-Jin, The Manipulator

This week, we are pulling a little sleight-of-hand by sharing this “Behind the Persona” feature from the Straz Center’s INSIDE magazine featuring Yu Ho-Jin, The Manipulator, from The Illusionists, which returns to Tampa Sept. 23.

YuHo-Jin-Smoke

How did you get started in the business?
I got into magic at the age of nine after witnessing a magician doing a stage card manipulation act. Eventually my parents, who were opposed to me performing magic, became my greatest supporters when they realized the passion I had for it. Soon I began to receive awards at various magic competitions. When I was 19, I won the Grand Prix award in the stage magic division at the International Federation of Magic Societies’ 2012 World Championship of Magic in Blackpool, England. This gave me the opportunity to perform around the world.

What’s always in your refrigerator?
There is always Korean food in my refrigerator. I love ice cream; I am huge big fan of it. Also eggs and ham. And not in the refrigerator, but in the kitchen, there are bananas.

What is your worst quality?
Hmm … hard to say (laughs). Well, I love to cook but am not very good at it. So I eat bananas.

What music is on your playlist?
Classical music played on the piano is a passion of mine. It inspires me. While I’m a fan of most music, hip-hop gets me moving.

What’s your favorite place to vacation?
Natural wonders make me very happy. Of course, the best place for vacation is anywhere my family and friends can join me. Someday I hope to show my family Florida.

What are your thoughts about our great state of Florida?
Miami is one of the places where I want to stay for a long vacation with my family. Florida has unique natural landscapes and a beautiful coastline. I can’t wait to enjoy Florida!

Read any good books lately?
I used to devour self-help books about self-management, leadership and communication skills but these days, I look for a good novel for an escape.

Ginger or Mary Ann?
Well, I like both, but if I have to choose only one, Mary Ann.

What’s the greatest thing since sliced bread?
There are too many choices! To me, the Internet and computer, hands down. Without the ability to search, download music, play games and send emails, I cannot imagine what we would do with our lives.

What’s your “guilty pleasure” television show?
I usually don’t watch television. When I travel and I am feeling lonely, I will watch a Korean mini-series.

Who or what inspires you?
I respect my friends, like the other performers who work with me in The Illusionist shows. Theyinspire me in every moment. Also, I respect David Copperfield and the way he has made his own magical world.

What do you consider your greatest successes – personally and professionally?
Personally, of course, I love my mother, father, sisters. Without my family, what does my life mean? Professionally, I want to create more mystery and wonder using my magical inspiration and share my magical creations with people around the world.

If you hadn’t chosen a career as an illusionist, what other career path do you think you’d have followed?
Well right now, this is my dream and it works. I just concentrate on my present.

 

manipulator

FROM THE VAULT: Teddy & Alice

December 1987, Americana Magazine

Article from Americana Magazine

Article clipping from Americana Magazine, December 1987.

In November 1986, the Iran-Contra scandal broke in the Lebanese media, quickly spreading to international headlines. With key players such as Oliver North, Fawn Hall, President Reagan and the Nicaraguan Contras, that drama cast a sour shadow over American politics and government.

Needless to say, it was bad timing for a romping musical about beloved president Theodore Roosevelt’s wily relationship with his insouciant, teenaged daughter, Alice. The musical, Teddy and Alice, inspired by that true tale, had its tryouts at The Straz before heading to Broadway for a two month run. The show focused on Roosevelt’s inability to run the country while containing his irrepressible daughter, and he chose the former job, but not without paying the personal price of an outspoken, free-spirited daughter in love with an ill-favored match in the form of Ohio representative Nicholas Longworth.

Reviews were not favorable to the show, mostly citing too much one-dimensional painting of Roosevelt outside of his political and historical context. Perhaps, in 1987, reviewers merely wanted more truth about a president than what was revealed? Or maybe, as it happens in any industry, the product just missed the mark. Either way, The Straz, then and now, proudly supported the premiere of the show—without new works, performing arts in America will not evolve, grow or expand to the next level. As with any business, supporters of the arts must be bold enough to take risks. Tampa’s very own Hinks Shimberg, a long-time supporter of The Straz whose family also produced the original production of Oklahoma!, produced the show and helped it mount on Broadway.

The show ran November 12, 1987 to January 17, 1988 at the Minskoff Theater.

In December 1987, Americana Magazine’s Hilary Ostlere promoted the musical’s Broadway run with an interview of the playwright, Jerome Alden. According to the article, Alden, who had previously written a one-man show about Teddy Roosevelt called Bully! states: “When they came up with the idea for Teddy and Alice … it was as if T.R. bit me and I went mad, as someone once said.” Alden completed the book, and the musical was scored to John Philip Sousa tunes.

Notably, Alden also wrote “Bicentennial Minutes,” a series of short history lessons for CBS in 1976. He died in Manhattan in 1997 from kidney cancer. He was 76 years old.

The original Teddy and Alice starred Len Cariou as the president and newcomer Nancy Hume as his daughter Alice. The show was revived as recently as 2012 by Seven Angels Theater of Waterbury, CT.