About That Glass Slipper Thing

It’s hard to imagine wearing any article of clothing made from a substance known for its ability to puncture and shred flesh. And yet. Who’s Cinderella without a glass slipper? The basic idea of the Cinderella story—young woman, bad circumstances, objects incite a change of fate—dates back thousands of years to many, many cultures spanning... Continue Reading →

Feel the Love Tonight

Hot onstage kisses from the land of Broadway in honor of Valentine’s Day Love is often a many-splendored thing on Broadway. Equally often, it is a non-splendored thing (oh, Alexander Hamilton … but we’ll endure that moment next season). And, not quite as often, love is turned inside-out, upside-down and simultaneously ridiculed and held to... Continue Reading →

A Cinderella Story

Folk and fairy tale scholars estimate there may be 1500 different versions of the Cinderella tale, the earliest originating in Greece and China. In Greece, the story is called Rhodopis, in which an eagle snatched Rhodopis' shoe and transports it to the lap of the king of Egypt. In China, it is the story of... Continue Reading →

William Ivey Long’s Designs on Broadway

The ultra-sexy revamped sheer black palette of the Chicago revival. The yellow dress in Contact. The frogs in Frogs. Sally Bowles’ maximum-leg-power mini-dress in Cabaret. The feather-trimmed muu-muu in Hairspray. And here, at The Straz, the mind-blowing, magical wardrobe changes in Rodgers+Hammerstien’s Cinderella. There is one mastermind behind these historic works of theater couture, and... Continue Reading →

How It Works: Rodgers+Hammerstein’s Cinderella

Big, blockbuster Broadway musicals come with singers, dancers, fabulous costumes ... and many trucks. How do those whopping set pieces end up on Carol Morsani stage? The answer is lots of (literal) manpower. We took some after-hours and behind-the-scenes photographs of the “load-in,” which is the usually very quick turn-around time between when the show... Continue Reading →

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