We enlist the help of Paul Bilyeu, our senior director of communications and the former lead publicist for dance at The Kennedy Center, for a little dance appreciation 101 about this must-see modern dance company. 1970s Omaha, Nebraska. Not exactly a progressive hotbed of boy ballet students, but there our senior director of communications Paul... Continue Reading →
The Straz Center arts education partnerships program with Tampa’s The Centre for Girls In addition to our many performances, lectures, classes and workshops, the Straz Center hosts a super cool outside-of-the-spotlight arts education partnership program which brings us into fruitful, fun and inspiring relationships with many organizations around the area. This semester, one of our... Continue Reading →
Everybody, everywhere’s got rhythm. African juba. Irish jig. American tap. African-American step. Indian Kathak. Argentine malambo. Gumboot, chancleta, Spanish flamenco, Cuban flamenco, trash percussion (think STOMP). From all the varied, colorful corners of our endearing and often baffling human society, rhythm dances emerge, catch on like wildfire and become a common language amongst us. Tribes... Continue Reading →
Huge news for dance fans: the one and only Tiler Peck bourrés into Next Generation Ballet’s Nutcracker this holiday season with partner Tyler Angle as her Cavalier. One of the many benefits of having a retired New York City Ballet principal dancer as the artistic director of our pre-professional ballet company is the talent he... Continue Reading →
The Florida African Dance Festival in Tallahassee Celebrates 21 Years June 7-9 “Ashe,” pronounced ah-SHAY, similar to “sashay,” and also spelled “ase,” is the Yoruba word for a West African spiritual concept of the life-force energy. Everything has ashe. Everything has the power to transmit and communicate ashe—and two very powerful forms of working with... Continue Reading →
On the neck of the foot? The bite of the donkey? The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of... Continue Reading →
Ella es la reina del baile. La reina de musica. La reina … de todo. Ask Cubans “who is Alicia Alonso?“ and you will hear this short, comprehensive explanation: she is the queen of dance. The queen of music. The queen … of everything. Alonso, born in Havana in 1920, possessed a gift for dance... Continue Reading →
Lauded principal ballerina Patricia Delgado retired from Miami City Ballet this year after an extraordinary career with the company that began when she was 16 years old. An exquisite technician and breathtaking artist, Delgado gave soul to MCB, and arrived at The Straz last summer as a guest artist (along with Balanchine great Edward Villella)... Continue Reading →
New York City Ballet principal dancer Sara Mearns recently starred in The Red Shoes on Broadway and in George Balanchine's The Nutcracker® for NYCB. Beloved by young ballerinas and a superstar onstage, Mearns is also a face of Guerlain perfume and Cole Haan. She works with many dance organizations to inspire people to love classical... Continue Reading →
About ten years after the birth of hip-hop in the Bronx, the art form found its way to Japan when young Japanese artists encountered the music and saw breakdancing in New York, taking what they saw back to Japan. In 1983, the film Wild Style, a seminal hip-hop documentary capturing the four pillars of the... Continue Reading →
Understanding the summer dance intensive Dance training often begins as early as three years old with a training year of classes mimicking the school schedule. In June, recitals signal the culmination of study and show off the hard-won skills in a public dance performance. But then what? Cue the summer dance intensive, an integral part... Continue Reading →
The performing arts and conflict resolution If the folks at (TITLE) for Dummies® or the Idiot’s Guide™ to (THIS THING) ever wrote a how-to guide on building a better world, certainly there’d be a chapter or two on the performing arts. Much has been said on the value of elevating culture and artistic achievement as... Continue Reading →
Dance lineage is a big deal. A very big deal. So, when Next Generation Ballet got a descendant of Jerome Robbins, who was guided by George Balanchine, who was instructed by Marius Petipa, the Straz Center leapt for joy. Philip Neal, the artistic director for Next Generation Ballet, came to us from New York City... Continue Reading →
When Moses Pendleton, the superstar co-founder of Pilobolus and dance maker extraordinaire, was a wee lad, one of his jobs on the family dairy farm was to feed the veal calves a nutritious milk supplement. The name of the supplement? Momix. Pendleton returned to this physical memory later when he choreographed a solo for the... Continue Reading →
Inside Next Generation Ballet’s Nutcracker rehearsal Dance rehearsal smells like feet and moist leotards. There’s nothing elegant about it. When the dancers work hard, improvising corrections on-the-fly from choreographers and ballet mistresses, there is a locker-room funk suspended in the air from sweat-dampened dance clothes, breath and many bodies moving in one studio classroom. So... Continue Reading →
The Patel Conservatory Gears Up for Another School Year There’s no such thing as summer break for the faculty and staff of the Straz Center’s Patel Conservatory. We spend the summer months steeped in a camps, classes, workshops, performances and pre-professional productions like this year’s impressive mounting of an almost full-scale Les Miserables. So, we... Continue Reading →
Ballet conjures images of tutus, tights, impossible-looking turns on tips of toes and gravity-defying mid-air leaps. If you’ve never taken a ballet class or had a little ballet beginner, then you may not realize those tricky combinations of flicks, kicks, twists, tippy-toe steps, glides, bends and hops emerge from a seriously old set of schematics... Continue Reading →
The Tampa-Cuba cultural connection There was a time not so long ago when Tampa belonged, in heart and mind, to Cuba. In late 19th century Ybor City and West Tampa, Cuban immigrants recreated their homeland, to the best of their ability, while they powered the burgeoning cigar-making industry. Cuban-flavored Spanish rippled through the factories as... Continue Reading →
You Can Tell A Lot About A Woman By Her Shoes Ballet, with its emphasis on gracefulness, classical music and tutus, is subject to a bevy of cultural misunderstandings, one of the most glaring is the conception that ballerinas are fragile dancing fairies, or Queen Faeries, depending upon the role. Not so. Just take a... Continue Reading →
The tricky business of adapting an animated movie into a stage musical “The book was better.” So goes the typical critique of movies based on novels, but one rarely hears “I liked the cartoon better” as audiences stream from theater venues where their favorite Disney film characters sang-and-danced through a musical version of the animated... Continue Reading →