Clue, the 1985 film based on the board game, was not a smash hit upon release. Over time, thanks to cable, home video and word of mouth, the quirky black comedy finally found its audience. Its acclaim grew enough for it to make the jump from screen to stage as CLUE, which Straz audiences can... Continue Reading →
Hell hath no fury like a woman scorned. If a scorned woman dies of heartbreak, you better hope you aren’t the one who broke it. Your ex might be teaming up with the malevolent spirits of other jilted women and, brother, hell WILL be raised. That’s a very skeletal reading of Giselle, one of classical... Continue Reading →
It might seem odd, doing all the things one does to have a night out – buying tickets, hiring a babysitter, finding parking – when it’s preordained that the evening will end in tears. In some cases, though, tears are part of the package. When the curtain falls on Opera Tampa’s production of La Traviata,... Continue Reading →
A parody of Netflix’s Stranger Things isn’t just an opportunity to salute and spoof the beloved sci-fi thriller series. “It also gave us an opportunity to give fans what they might have wanted, but that didn't happen in the show,” said Nick Flatto, producer-director of Stranger Sings! The Parody Musical, playing at The Straz now... Continue Reading →
In the realm of comedy, there are icons whose brilliance transcends generations, leaving their marks on the hearts and minds of audiences worldwide. Robin Williams, the definitive master of improvisation, stands tall among these legends. From his early days in stand-up, as Mork from Ork in the TV show Mork & Mindy to his unforgettable... Continue Reading →
If the notion of a Bob Dylan musical doesn’t pass your particular sniff test, you’re in good company. Twyla Tharp’s 2006 Dylan dance-musical, The Times They Are a-Changin’, was a critical disaster that limped its way to Broadway, from which it disappeared in less than a month. “A Bob Dylan musical is a terrible idea,”... Continue Reading →
Moses Pendleton grew up on a Vermont dairy farm and exhibited Holsteins at county fairs as a youngster. MOMIX was a feed supplement Moses fed to his cows. Pendleton appropriated the supplement’s name for the dance company he founded in 1980. He founded MOMIX after almost a decade dancing with Pilobolus, the company he co-founded... Continue Reading →
Arthur (the Man, the Myth, the Legend) Mitchell In 1969, Arthur Mitchell, along with Karel Shook, created Dance Theatre of Harlem (DTH) in New York City, after making history in 1955 as the first black principal dancer at New York City Ballet. He also was the famed protégé of George Balanchine—the Russian-born dancer, choreographer and... Continue Reading →
One year ago in this very blog, we nominated “Nut Rocker” as a candidate to join the batch of holiday songs with which we’re currently being bombarded. We contended that this lively, rock and rolling interpretation of The Nutcracker would give all of us a two-minute respite from Mariah and George and Elvis and Bing... Continue Reading →
Houston Ballet Academy graduates and current Corps de Ballet dancers Neal Burks as Basilio and Magnoly Batista as Kitri in Houston Ballet Academy's Ben Stevenson's Don Quixote. Photo by Amitava Sarkar (2019). Courtesy of Houston Ballet. Neal Burks was a promising young dancer in 2013. Ten years on, that promise is being fulfilled. But for... Continue Reading →
AN EXCLUSIVE FROM INSIDE, THE OFFICIAL MAGAZINE OF THE STRAZ CENTER You know the song. You know the dance. But can-can you grasp the why? What made the can-can, this now-quaint, some would say cliched, symbol of Gay Paree so scandalous in its youth? Now in its dotage, how does it retain its charm and... Continue Reading →
https://www.youtube.com/watch?v=ddarrb8u7p8 Ballet is an art form, even if some ballet critics treat it more like a sport. A video from a few years back of Misty Copeland dancing in Swan Lake generated world-class pearl-clutching among some commentators. The video showed Misty performing a series of fouettés, a series of turns made on one foot with... Continue Reading →
“Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds.” Snow and gloom shouldn’t be issues but rain and heat? Hoo boy. Pictured: a typical summer day in the great state of Florida. The Patel Conservatory staff members (“these couriers”) responsible for couriering summer... Continue Reading →
National Tap Dance Day is May 25. The date commemorates the birth of Bill “Bojangles” Robinson, one of tap’s greatest practitioners. He may be best known for his stair dance routine with Shirley Temple in 1935’s The Little Colonel. But his career stretched back to vaudeville and minstrel shows and continued through Broadway, movies, radio... Continue Reading →
She wanted a change of scenery. Somewhere with a little more history and a bit of a reputation. A place known for great food and great wine. A city that liked – no, loved – its entertainment on the racy side. Where she could walk into a hotel and have a cup of coffee. More... Continue Reading →
When dancers take to one of the Straz Center’s stages, they display the skills they’ve honed through hours and hours of practice. They also can offer a glimpse into another culture. “Dance is education as well as entertainment,” said Kelly King, lead contemporary dance teacher at the Patel Conservatory. Case in point: Flamenco Vivo Carlota... Continue Reading →
Before you paint the town and see CHICAGO at The Straz, check out these fun facts and all that jazz about the long-running musical. CHICAGO is the longest-running American musical in Broadway and West End history. The Ambassador Theatre in New York City has been home to CHICAGO since 2003. CHICAGO is the second longest... Continue Reading →
Ballet. Balanchine. The names are practically synonymous. In fact, it’s hard to imagine the former, in the U.S especially, without the prolific efforts of the latter. It’s also nearly impossible to overstate the importance of Lincoln Kirstein, a wealthy New Englander with a love of the arts. Kirstein provided the framework in which George Balanchine... Continue Reading →
Countless venues, parties and events scheduled for the evening of Dec. 31 will insist that theirs is “the place to be” this New Year’s Eve. It’s all wishful thinking, no matter how much elaborate planning has gone into them. Way too many variables when humans are involved. Besides, one person’s THE place to be is... Continue Reading →
Caught in the Act celebrates Tina who last week, on Nov. 26, 2022, celebrated her 83rd birthday. When Tina Turner’s solo star finally ascended with the 1984 hit “What’s Love Got to Do With It,” it felt like a victory for anyone who had been hurt or held back in pursuit of a dream. https://www.youtube.com/watch?v=oGpFcHTxjZs... Continue Reading →