Actor, director and teacher Giles Davies has happily been working with Jobsite since the 2011 production of Quills. He has been seen in the company’s productions of Othello, 1984, The Tempest, Cloud Nine, Twelfth Night, The Hound of the Baskervilles, Macbeth, Fahrenheit 451, his one-person show POE and the Job-side project Check (which he co-wrote).... Continue Reading →
Jobsite’s Theater’s first performance of The Complete Works of William Shakespeare (abridged) [revised] on our Riverwalk Stage. (Fotoset by James Luedde) While emphasizing health and safety and mandating socially distanced seating configurations and the wearing of masks, on Friday, Oct. 2, the Straz Center cautiously and thoughtfully began a slate of live, in-person performances -- the first performances... Continue Reading →
Over the loud lightning strikes from our seemingly daily thunderstorms we’ve heard your cries: “Break’s OVER.” The Straz Center and its resident theater company, Jobsite Theater, have worked during our COVID-19 intermission, with intermittent pauses to lounge on our chaises of course, to bring performances back to our stages with appropriate social distancing and cleaning... Continue Reading →
Jobsite Theater’s latest production, Doubt: A Parable, features wife-and-husband team of Summer Bohnenkamp directing and David Jenkins in a lead role. How do they do it? This week, Caught in the Act welcomes back guest blogger Alex Stewart, Straz Center public relations manager, who was brave enough to do a deep-dive into the working-life-partners relationship... Continue Reading →
Jobsite Theater’s latest knockout of a show presents the work of Native American playwright Larissa Fasthorse. Obviously, she’s gonna have a few thoughts on Thanksgiving. The Thanksgiving Play opened in the Shimberg Playhouse a few weeks ago to rave reviews. The play is terrifically funny, especially if you’re looking for someone to jab a sharp... Continue Reading →
Steve Martin may have made his way to the spotlight as a star on Saturday Night Live and in films like The Jerk and Planes, Trains, and Automobiles. But there’s a lot more to this wild and crazy guy than a genius knack for comedy. This month, Jobsite Theater launched its new play season with... Continue Reading →
Jobsite Theater’s current offering in their record-breaking season is a work by one of the Royal Society of Literature’s designees for their “40 Under 40” initiative—and one of the most exciting young playwrights out of the box in a long time. Before she even graduated from University of Edinburgh, Lucy Kirkwood had caught the attention... Continue Reading →
The Stratfordians. The Oxfordians. Baconians and Marlovians. What sounds like the breakout of Illuminati frat houses is actually something a lot stranger. These sects war over a secret at the root of possibly the greatest cover-up in literary history: that William Shakespeare was, in fact, not the great author William Shakespeare and the aristocracy of... Continue Reading →
Caught in the Act catches up with Jobsite Theater during rehearsals of their next exciting production, Edgar and Emily. Edgar as in Allan Poe. Emily as in Dickinson. Yes, the granddaddy of Southern Gothic literature winds up in the bedroom of the emdash enthusiastic belle of Amherst, Emily Dickinson. Confined to this space, made all... Continue Reading →
Jobsite Theater opens its 2018-2019 season with a return of Spencer Meyers in the lead role of Hedwig and the Angry Inch. Spencer, who by day plays our unflappable group sales associate at The Straz, debuted as Hedwig in Jobsite’s 2013 production. Says Jobsite Artistic Director David Jenkins, “I always knew the prodigious talent inside... Continue Reading →
Gabbing about the importance of facing the awkward, the awful, the upending and the just plain weird in the theater with special guest Paul Potenza, artistic associate with Jobsite Theater. This week Caught in the Act caught up with Paul Potenza, 30-plus-year stage veteran in the Tampa Bay area and artistic associate with our resident... Continue Reading →
The unbelievable true crime story behind the swinging jazz standard “Mack the Knife.” Once upon a time, there was a five-foot-four London folk hero who inspired John Gay’s The Beggar’s Opera, which inspired Bertolt Brecht and Kurt Weill’s The Threepenny Opera, which contained the song “Mack the Knife,” which became a snappy lounge tune for... Continue Reading →
An in-depth convo with Straz Center Senior Director of Marketing, Summer Bohnenkamp, who directs her fifth production with Jobsite Theater – this season’s opener, The Flick. Jobsite Theater, almost 19 years into its illustrious reputation as one of the strongest regional theater companies in Florida and beginning their 13th as resident theater company of the... Continue Reading →
Performing arts adaptations of one of America’s most grisly and haunting murder stories The facts are simple. On Aug. 4, 1892, Andrew and Abby Borden were found dead in their Falls River, Mass., home from multiple hatchet wounds. Police found no sign of a struggle, no convincing murder weapon, no bloody clothes on any possible... Continue Reading →
By David Jenkins, guest blogger Part of life in the performing arts includes the many international scholars who study theater, music and dance, writing on these topics and delving into impressive intellectual inquiry into the art forms and why they matter. One area of interest naturally includes the examination of sexuality and gender identity in... Continue Reading →
