What can you say about a performer who willingly takes on 23 roles in a one-person show? If you replied, “probably the same sort of performer who would run a marathon followed with a stand-up comedy set, every day for a month” that would be oddly specific. But you’d be correct. Eddie Izzard ’s acclaimed... Continue Reading →
This is a column about Anne Hathaway. It’s also a column about Anne Hathaway. Anne the former was born and lived in the Elizabethan era. Aside from being married to the playwright William Shakespeare, little is known about her. Anne the latter lives in whatever era we’re in right now. Because she is a present-day... Continue Reading →
They aren’t called intensives for nothing. A class of Patel Conservatory theater students is currently immersed in rehearsals for a production of Shakespearean spoof Something Rotten! The rehearsals follow a week of master classes and guest artists, theater professionals with real-world experience. The students are enrolled in Patel’s Broadway Intensive, a four-week program that culminates... Continue Reading →
Well before the play’s first murder, Lady Macbeth establishes her place among Shakespeare’s most treacherous characters with this invocation: Come, you spiritsThat tend on mortal thoughts, unsex me here,And fill me from the crown to the toe top-fullOf direst cruelty. Make thick my blood.Stop up th’ access and passage to remorse,That no compunctious visitings of... Continue Reading →
Summertime and the living is easy.Fish are jumpin’ and the cotton is high. DuBose Heyward’s lyrics to “Summertime,” from Porgy and Bess, conjure an idealized summer, warm but never too hot, when outdoors is the place to be. https://youtu.be/NghjBMn6ZJM Tampa summers are not idealized. They’re demonized. Summertime and the low’s in the 90sFeels-like temp is... Continue Reading →
We love live theater. Well, we would, wouldn’t we? Live theater is the biggest part of why The Straz exists in the first place. We believe that the potential for transcendence is greatest when the audience and the performance are under the same roof. We are also realists. We know that there are countless situations... Continue Reading →
In 1966, Broadway impresario Harold Hecuba stunned critics and audiences alike when he staged Shakespeare’s Hamlet as a musical. Hecuba’s audacious move created a sensation and the Hamlet musical was a hit. The celebration soon was overshadowed by scandal, though, when a group of mostly amateur actors claimed to have not only written the musical... Continue Reading →
As the year 2020 began, anticipation for Rufus Wainwright’s upcoming album was running high. Unfollow the Rules would be Wainwright’s first album of new pop material in eight years. Fans had been clamoring for it since news of Wainwright recording with producer Mitchell Froom (Los Lobos, Elvis Costello) first surfaced in 2018. The album cover... Continue Reading →
David at the Straz Center Riverwalk Stage. David M. Jenkins is producing artistic director and co-founder of Jobsite. He holds a Ph.D. in communication (performance studies) from the University of South Florida, an M.F.A. in acting from the University of Florida and a B.A. in theater performance, also from USF. He has additionally studied with... Continue Reading →
Over the loud lightning strikes from our seemingly daily thunderstorms we’ve heard your cries: “Break’s OVER.” The Straz Center and its resident theater company, Jobsite Theater, have worked during our COVID-19 intermission, with intermittent pauses to lounge on our chaises of course, to bring performances back to our stages with appropriate social distancing and cleaning... Continue Reading →
The Stratfordians. The Oxfordians. Baconians and Marlovians. What sounds like the breakout of Illuminati frat houses is actually something a lot stranger. These sects war over a secret at the root of possibly the greatest cover-up in literary history: that William Shakespeare was, in fact, not the great author William Shakespeare and the aristocracy of... Continue Reading →
North Carolina soprano Jill Gardner’s musical ancestry and training led her to killing the role of Lady Macbeth. On Friday the 13th, Opera Tampa unloads quite the murderfest with their debut performance of Verdi’s Macbeth. The bloody story of a Scottish nobleman’s immoral rise to power, Macbeth was for Shakespeare, and here, for Verdi, really... Continue Reading →
Giuseppe Verdi’s version of “more cowbell” looks something like an entire chorus of witches in Macbeth versus the Bard’s three. In 1597, King James of Scotland wrote a work of what he considered to be definitive scholarship: Daemonologie, a paper on witchcraft. James, widely regarded by self and others to be an expert on the... Continue Reading →
Many of us observed Father’s Day last Sunday, which prompted us to take a broad sweep through some canonical plays to see how fathers and fatherhood fare. The answer: not good. In fact, it’s so bad it would be funny if it weren’t so tragic. So, let’s take a look at some of the Great... Continue Reading →
By David Jenkins, guest blogger Part of life in the performing arts includes the many international scholars who study theater, music and dance, writing on these topics and delving into impressive intellectual inquiry into the art forms and why they matter. One area of interest naturally includes the examination of sexuality and gender identity in... Continue Reading →