In 1966, Broadway impresario Harold Hecuba stunned critics and audiences alike when he staged Shakespeare’s Hamlet as a musical. Hecuba’s audacious move created a sensation and the Hamlet musical was a hit. The celebration soon was overshadowed by scandal, though, when a group of mostly amateur actors claimed to have not only written the musical... Continue Reading →
As the year 2020 began, anticipation for Rufus Wainwright’s upcoming album was running high. Unfollow the Rules would be Wainwright’s first album of new pop material in eight years. Fans had been clamoring for it since news of Wainwright recording with producer Mitchell Froom (Los Lobos, Elvis Costello) first surfaced in 2018. The album cover... Continue Reading →
David at the Straz Center Riverwalk Stage. David M. Jenkins is producing artistic director and co-founder of Jobsite. He holds a Ph.D. in communication (performance studies) from the University of South Florida, an M.F.A. in acting from the University of Florida and a B.A. in theater performance, also from USF. He has additionally studied with... Continue Reading →
Over the loud lightning strikes from our seemingly daily thunderstorms we’ve heard your cries: “Break’s OVER.” The Straz Center and its resident theater company, Jobsite Theater, have worked during our COVID-19 intermission, with intermittent pauses to lounge on our chaises of course, to bring performances back to our stages with appropriate social distancing and cleaning... Continue Reading →
The Stratfordians. The Oxfordians. Baconians and Marlovians. What sounds like the breakout of Illuminati frat houses is actually something a lot stranger. These sects war over a secret at the root of possibly the greatest cover-up in literary history: that William Shakespeare was, in fact, not the great author William Shakespeare and the aristocracy of... Continue Reading →
North Carolina soprano Jill Gardner’s musical ancestry and training led her to killing the role of Lady Macbeth. On Friday the 13th, Opera Tampa unloads quite the murderfest with their debut performance of Verdi’s Macbeth. The bloody story of a Scottish nobleman’s immoral rise to power, Macbeth was for Shakespeare, and here, for Verdi, really... Continue Reading →
Giuseppe Verdi’s version of “more cowbell” looks something like an entire chorus of witches in Macbeth versus the Bard’s three. In 1597, King James of Scotland wrote a work of what he considered to be definitive scholarship: Daemonologie, a paper on witchcraft. James, widely regarded by self and others to be an expert on the... Continue Reading →
Many of us observed Father’s Day last Sunday, which prompted us to take a broad sweep through some canonical plays to see how fathers and fatherhood fare. The answer: not good. In fact, it’s so bad it would be funny if it weren’t so tragic. So, let’s take a look at some of the Great... Continue Reading →
By David Jenkins, guest blogger Part of life in the performing arts includes the many international scholars who study theater, music and dance, writing on these topics and delving into impressive intellectual inquiry into the art forms and why they matter. One area of interest naturally includes the examination of sexuality and gender identity in... Continue Reading →