A teenager in a foreign land during a global pandemic, Hector Jain is well beyond his years. The Next Generation Ballet (NGB) alum and Lakeland, Fla., resident has been studying at Les Ballet de Monte Carlo’s Princess Grace Academy since early in 2020 and soaking up all the experience has to offer. Caught in the... Continue Reading →
Ahoy, me hearties! As you might have come to recognize, we love celebrating national days here at The Straz, and September 19 is International Talk Like a Pirate Day. And being in Tampa, this is one holiday we cannot pass up, since no one knows and loves pirates quite like those from the home of the legendary Jose Gaspar. Oh, and those Buccaneers. The... Continue Reading →
With performing art centers, such as The Straz, temporarily shuttered due to the COVID-19 pandemic, cable networks and streaming services are tapping into a large bank of available documentaries centered on the performing arts so we can satisfy our appetite for theater, dance, opera and more. And though documentaries generally don’t bring in Marvel box... Continue Reading →
The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of facing forward). Placement, a.k.a. alignment, and lift, a.k.a. pull-up, became fundamentals... Continue Reading →
Faster than a speeding pirouette, the dance world turned around a traditionally studio-based, person-to-person practice into an online smorgasbord of virtual classes, tutorials and programs for anyone, anywhere, anytime. Ever wanted to train with the Alvin Ailey American Dance Theater? Principal dancers from American Ballet Theatre or New York City Ballet? Now you can. Even... Continue Reading →
We enlist the help of Paul Bilyeu, our senior director of communications and the former lead publicist for dance at The Kennedy Center, for a little dance appreciation 101 about this must-see modern dance company. 1970s Omaha, Nebraska. Not exactly a progressive hotbed of boy ballet students, but there our senior director of communications Paul... Continue Reading →
A first for The Straz, the new fabric designs represent a wild collaboration between dance costuming and graphic design. When people think of the graphic design department in a performing arts non-profit, they may imagine program layouts, banners, signage, logos and the like. They may not consider a couture collaboration to produce custom costumes specifically... Continue Reading →
How a Russian defector built couture fashion from ballet costumes during the rise of New York City Ballet Chanel. Gucci. Givenchy. These famous fashion houses earned notoriety for their signature styles, making their designs easily recognizable – the Chanel suit, the Gucci bag, the Givenchy dress. In the golden age of American ballet, during the... Continue Reading →
Huge news for dance fans: the one and only Tiler Peck bourrés into Next Generation Ballet’s Nutcracker this holiday season with partner Tyler Angle as her Cavalier. One of the many benefits of having a retired New York City Ballet principal dancer as the artistic director of our pre-professional ballet company is the talent he... Continue Reading →
The performing arts are big business. In this industry, we have a lot of super important jobs for people who love the theater but who may have no interest in performing. This week, we sat down with Straz Center costumer Camille McClellan, who costumes dance and musical theater productions for the Patel Conservatory, to find... Continue Reading →
We’ve realized Straz fans love knowing what goes on outside of the spotlights, so we’re running a short series called Tools of the Trade, listing some cool and maybe-unheard-of tools for life in the performing arts. This week’s spotlight is on dance. Rosin Box Slippery dance shoes? Slick flooring? No problem, thanks to this useful... Continue Reading →
On the neck of the foot? The bite of the donkey? The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of... Continue Reading →
Ella es la reina del baile. La reina de musica. La reina … de todo. Ask Cubans “who is Alicia Alonso?“ and you will hear this short, comprehensive explanation: she is the queen of dance. The queen of music. The queen … of everything. Alonso, born in Havana in 1920, possessed a gift for dance... Continue Reading →
NGB’s Sugar Plum Fairies Get Sweet Partners in NYCB Principal Amar Ramasar and MCB Principal Renan Cerdeiro The word is out about the big ballet stars appearing in Next Generation Ballet’s Nutcracker, which features the George Balanchine grand pas de deux and New York City Ballet star Sara Mearns and former Miami City Ballet principal... Continue Reading →
Lauded principal ballerina Patricia Delgado retired from Miami City Ballet this year after an extraordinary career with the company that began when she was 16 years old. An exquisite technician and breathtaking artist, Delgado gave soul to MCB, and arrived at The Straz last summer as a guest artist (along with Balanchine great Edward Villella)... Continue Reading →
New York City Ballet principal dancer Sara Mearns recently starred in The Red Shoes on Broadway and in George Balanchine's The Nutcracker® for NYCB. Beloved by young ballerinas and a superstar onstage, Mearns is also a face of Guerlain perfume and Cole Haan. She works with many dance organizations to inspire people to love classical... Continue Reading →
Dance lineage is a big deal. A very big deal. So, when Next Generation Ballet got a descendant of Jerome Robbins, who was guided by George Balanchine, who was instructed by Marius Petipa, the Straz Center leapt for joy. Philip Neal, the artistic director for Next Generation Ballet, came to us from New York City... Continue Reading →
Inside Next Generation Ballet’s Nutcracker rehearsal Dance rehearsal smells like feet and moist leotards. There’s nothing elegant about it. When the dancers work hard, improvising corrections on-the-fly from choreographers and ballet mistresses, there is a locker-room funk suspended in the air from sweat-dampened dance clothes, breath and many bodies moving in one studio classroom. So... Continue Reading →
Performing arts adaptations of one of America’s most grisly and haunting murder stories The facts are simple. On Aug. 4, 1892, Andrew and Abby Borden were found dead in their Falls River, Mass., home from multiple hatchet wounds. Police found no sign of a struggle, no convincing murder weapon, no bloody clothes on any possible... Continue Reading →
Ballet conjures images of tutus, tights, impossible-looking turns on tips of toes and gravity-defying mid-air leaps. If you’ve never taken a ballet class or had a little ballet beginner, then you may not realize those tricky combinations of flicks, kicks, twists, tippy-toe steps, glides, bends and hops emerge from a seriously old set of schematics... Continue Reading →
