ARTISTS WE LOVE: RITA MORENO

Size matters. Size, though, is about more than body mass. “I’m big. I’m as big as you get. I may be petite but I’m big.” That’s Rita Moreno, all 5’2” of her, 70 years into a career that not only isn’t stopping, it seems to be gathering momentum. * * *  Moreno is one of... Continue Reading →

Female firsts in the spotlights

There seems to be an almost cultural fixation with firsts – first car, first kiss – who are we not to play along? Later this month, Jobsite Theater opens its season with Dr. Ride’s American Beach House, a play set on the eve of astronaut Sally Ride’s historic 1983 launch as the first American woman... Continue Reading →

SHOCKING NEWS! Jobsite’s getting weird this June

Guest Blogger and Jobsite Artistic Director David M. Jenkins gives Caught in the Act a look inside the nightmares and belly laughs of Shockheaded Peter https://videopress.com/v/dpzfcUxr?preloadContent=metadata A little bit Tim Burton, a little bit Edward Gorey, Shockheaded Peter is the phantasmagorical staging of Heinrich Hoffman’s 1845 pitch-black children’s book, Der Struwwelpeter. It’s a self-proclaimed “junk... Continue Reading →

Artists We Love: August Wilson

For many, the only relationship they have with August Wilson is through movies based on his plays: The Piano Lesson, Oscar®-winning Fences and most recently Ma Rainey’s Black Bottom, starring Viola Davis and the late Chadwick Boseman, both nominated for Academy Awards® in their roles. Those movies are just a slice of the breadth of... Continue Reading →

Radio Drama Making a Comeback

At first thought, it might seem that theater performed on the radio could be a lost art. Nowadays, we have the means to see and experience wonderful arts performances -- with our eyes as well as our ears -- in so many ways, on countless devices, that merely listening to theater on the radio could... Continue Reading →

Punch, Parry and Plunge

Stage combat choreographer Teresa E. Gallar discusses how to safely create fight scenes. Caught In the Act: How did you get started in this line of work? Teresa Gallar: Like any other physical endeavor, there is a thrill from a well-executed fight. Similar to a home run or field goal. It is even more satisfying to have a fight you choreographed... Continue Reading →

Franky, He’s a Heck of a Guy

Actor, director and teacher Giles Davies has happily been working with Jobsite since the 2011 production of Quills. He has been seen in the company’s productions of Othello, 1984, The Tempest, Cloud Nine, Twelfth Night, The Hound of the Baskervilles, Macbeth, Fahrenheit 451, his one-person show POE and the Job-side project Check (which he co-wrote).... Continue Reading →

Theater is ‘to be’ as Jobsite opens Shakespeare (abridged) on Riverwalk Stage

Over the loud lightning strikes from our seemingly daily thunderstorms we’ve heard your cries: “Break’s OVER.” The Straz Center and its resident theater company, Jobsite Theater, have worked during our COVID-19 intermission, with intermittent pauses to lounge on our chaises of course, to bring performances back to our stages with appropriate social distancing and cleaning... Continue Reading →

DIY Playwriting at Home for You and the Kids

The Straz Center’s senior writer gives you fun, simple instructions on how to write a script you can produce, direct, perform and film at home. Hello, everybody! Marlowe Moore here, the Straz Center senior writer, with a step-by-step guide for writing a script with kids from middle school to high school. You can easily adapt... Continue Reading →

Comic Relief: Hooray for the Fool

This April Fool’s Day, let’s celebrate the archetype of laughs. They’re not laughing at you; they’re laughing with you. Never has a platitude been so wrong as when we’re talking about one of storytelling’s great archetypes—the fool. The whole purpose of this type of character is to bring levity to a heavy plot, a serious... Continue Reading →

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