Crowns, a celebratory musical about church hats, kicks off a series of Straz-produced shows Photo: Joseph Brown Apostle Paul was adamant about this point. When a man prays or prophesizes, his head must not be covered. Women, on the other hand … "But every woman that prayeth or prophesieth with her head uncovered dishonoureth her... Continue Reading →
The crowd filling Broadway’s Gershwin Theater sounded pleasantly surprised when the announcer introduced Kristin Chenoweth. The occasion was the Sept. 14 reopening of Wicked, for which Chenoweth originated the role of Glinda. The actress’ appearance sent the already electric atmosphere crackling even more intensely, palpable even on the cellphone video posted to YouTube. “Hello, New... Continue Reading →
Size matters. Size, though, is about more than body mass. “I’m big. I’m as big as you get. I may be petite but I’m big.” That’s Rita Moreno, all 5’2” of her, 70 years into a career that not only isn’t stopping, it seems to be gathering momentum. * * * Moreno is one of... Continue Reading →
There seems to be an almost cultural fixation with firsts – first car, first kiss – who are we not to play along? Later this month, Jobsite Theater opens its season with Dr. Ride’s American Beach House, a play set on the eve of astronaut Sally Ride’s historic 1983 launch as the first American woman... Continue Reading →
Guest Blogger and Jobsite Artistic Director David M. Jenkins gives Caught in the Act a look inside the nightmares and belly laughs of Shockheaded Peter https://videopress.com/v/dpzfcUxr?preloadContent=metadata A little bit Tim Burton, a little bit Edward Gorey, Shockheaded Peter is the phantasmagorical staging of Heinrich Hoffman’s 1845 pitch-black children’s book, Der Struwwelpeter. It’s a self-proclaimed “junk... Continue Reading →
Many Broadway productions are original, mainlined to the stage direct from the mind and writing implement of choice of the playwright. Many more are based on novels that landed on best seller lists having caught the attention of multiple readers including playwrights who condense the tome to its vital plot points weaving a tale that... Continue Reading →
Theater has long been the home to acting dynasties, families that pass the drama and comedic genes from generation to generation with The Barrymores and The Redgraves being among the most prominent on the stage. This week, we’re focusing on one twig of Broadway’s family tree -- acting siblings --in honor of National Siblings Day... Continue Reading →
David at the Straz Center Riverwalk Stage. David M. Jenkins is producing artistic director and co-founder of Jobsite. He holds a Ph.D. in communication (performance studies) from the University of South Florida, an M.F.A. in acting from the University of Florida and a B.A. in theater performance, also from USF. He has additionally studied with... Continue Reading →
For many, the only relationship they have with August Wilson is through movies based on his plays: The Piano Lesson, Oscar®-winning Fences and most recently Ma Rainey’s Black Bottom, starring Viola Davis and the late Chadwick Boseman, both nominated for Academy Awards® in their roles. Those movies are just a slice of the breadth of... Continue Reading →
At first thought, it might seem that theater performed on the radio could be a lost art. Nowadays, we have the means to see and experience wonderful arts performances -- with our eyes as well as our ears -- in so many ways, on countless devices, that merely listening to theater on the radio could... Continue Reading →
Stage combat choreographer Teresa E. Gallar discusses how to safely create fight scenes. Caught In the Act: How did you get started in this line of work? Teresa Gallar: Like any other physical endeavor, there is a thrill from a well-executed fight. Similar to a home run or field goal. It is even more satisfying to have a fight you choreographed... Continue Reading →
In April 1992, widespread rioting, looting and assaults broke out in South Central Los Angeles after a jury acquitted four white L.A. police officers of excessive force in the roadside arrest and beating of a black man, Rodney King. The six-days of riots, which resulted in 63 deaths, nearly 2,400 injuries, 12,000 arrests and more... Continue Reading →
Patsy Cline’s biggest hits were about heartbreak, lost love and loneliness. You can feel the pain coming through that magnificent contralto voice on songs like “Crazy,” “I Fall to Pieces,” “Sweet Dreams” and “She’s Got You.” Once she was asked to explain the emotion in her songs and she replied, “I just sing like I... Continue Reading →
Actor, director and teacher Giles Davies has happily been working with Jobsite since the 2011 production of Quills. He has been seen in the company’s productions of Othello, 1984, The Tempest, Cloud Nine, Twelfth Night, The Hound of the Baskervilles, Macbeth, Fahrenheit 451, his one-person show POE and the Job-side project Check (which he co-wrote).... Continue Reading →
Over the loud lightning strikes from our seemingly daily thunderstorms we’ve heard your cries: “Break’s OVER.” The Straz Center and its resident theater company, Jobsite Theater, have worked during our COVID-19 intermission, with intermittent pauses to lounge on our chaises of course, to bring performances back to our stages with appropriate social distancing and cleaning... Continue Reading →
Ahoy, me hearties! As you might have come to recognize, we love celebrating national days here at The Straz, and September 19 is International Talk Like a Pirate Day. And being in Tampa, this is one holiday we cannot pass up, since no one knows and loves pirates quite like those from the home of the legendary Jose Gaspar. Oh, and those Buccaneers. The... Continue Reading →
Guest blogger Zachary Hines (left) is a local performing artist and a member of the marketing team at The Straz. An avid theatergoer since he was a child, his greatest passion in work, and in life, is to share the joy of experiencing live performance. This week he shares his thoughts on gay pride and... Continue Reading →
The Straz Center’s senior writer gives you fun, simple instructions on how to write a script you can produce, direct, perform and film at home. Hello, everybody! Marlowe Moore here, the Straz Center senior writer, with a step-by-step guide for writing a script with kids from middle school to high school. You can easily adapt... Continue Reading →
This April Fool’s Day, let’s celebrate the archetype of laughs. They’re not laughing at you; they’re laughing with you. Never has a platitude been so wrong as when we’re talking about one of storytelling’s great archetypes—the fool. The whole purpose of this type of character is to bring levity to a heavy plot, a serious... Continue Reading →
The Patel Conservatory theater department presents a great idea for an easy, fun, at-home performing arts game you can do as a fam. If you’ve got random household objects plus a restless young'un or two running around, then you’ve got just about everything you need for this quick-to-arrange, easy-to-cleanup theater game from our pros in... Continue Reading →