Lauded principal ballerina Patricia Delgado retired from Miami City Ballet this year after an extraordinary career with the company that began when she was 16 years old. An exquisite technician and breathtaking artist, Delgado gave soul to MCB, and arrived at The Straz last summer as a guest artist (along with Balanchine great Edward Villella)... Continue Reading →
EXCLUSIVE: Ballet Star Sara Mearns Talks Sugar Plum Fairy and Dancing in Nutcracker at The Straz
New York City Ballet principal dancer Sara Mearns recently starred in The Red Shoes on Broadway and in George Balanchine's The Nutcracker® for NYCB. Beloved by young ballerinas and a superstar onstage, Mearns is also a face of Guerlain perfume and Cole Haan. She works with many dance organizations to inspire people to love classical... Continue Reading →
… Five, Six, Seven, Eight …
Understanding the summer dance intensive Dance training often begins as early as three years old with a training year of classes mimicking the school schedule. In June, recitals signal the culmination of study and show off the hard-won skills in a public dance performance. But then what? Cue the summer dance intensive, an integral part... Continue Reading →
Manual Transmission
Dance lineage is a big deal. A very big deal. So, when Next Generation Ballet got a descendant of Jerome Robbins, who was guided by George Balanchine, who was instructed by Marius Petipa, the Straz Center leapt for joy. Philip Neal, the artistic director for Next Generation Ballet, came to us from New York City... Continue Reading →
Practice Makes Perfect
Inside Next Generation Ballet’s Nutcracker rehearsal Dance rehearsal smells like feet and moist leotards. There’s nothing elegant about it. When the dancers work hard, improvising corrections on-the-fly from choreographers and ballet mistresses, there is a locker-room funk suspended in the air from sweat-dampened dance clothes, breath and many bodies moving in one studio classroom. So... Continue Reading →
Okay, Ladies, Now Let’s Get in Formation
Ballet conjures images of tutus, tights, impossible-looking turns on tips of toes and gravity-defying mid-air leaps. If you’ve never taken a ballet class or had a little ballet beginner, then you may not realize those tricky combinations of flicks, kicks, twists, tippy-toe steps, glides, bends and hops emerge from a seriously old set of schematics... Continue Reading →
New NGB Artistic Director and Dance Department Chair Philip Neal Brings Legacy of Jerome Robbins and George Balanchine
In June, Philip Neal officially joined the Patel Conservatory as the artistic director for Next Generation Ballet and chair of the dance department, the position formerly held by Peter Stark. George Balanchine and Jerome Robbins were to American dance what Babe Ruth and Joe DiMaggio were to baseball. Heavy-hitters, game-changers, larger-than-life personalities, Balanchine and Robbins... Continue Reading →
Lights on Tampa: Nick Cave’s HEARD
This isn’t the “of the Bad Seeds” Nick Cave. This is the performance artist Nick Cave who studied at the Ailey School and later joined the faculty at the Art Institute of Chicago. He now serves that institution as the director of the graduate fashion program. If you haven’t heard of him or had a... Continue Reading →
A View from the Feet
By guest blogger Carol Cohen, Mother Matryoshka performer for 5 years Among the whip-thin ballerinas performing grand jetés and assemblés in the Russian Imperial ballet of the Nutcracker, loom the rotund, bouncing figures of the Mother Matryoshkas—eight Russian nesting dolls, appearing in descending order of height and girth. The Matryoshkas--meaning “little mother” in Russian--appear on... Continue Reading →