Pardon My French

The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of facing forward). Placement, a.k.a. alignment, and lift, a.k.a. pull-up, became fundamentals... Continue Reading →

House of Karinska

How a Russian defector built couture fashion from ballet costumes during the rise of New York City Ballet Chanel. Gucci. Givenchy. These famous fashion houses earned notoriety for their signature styles, making their designs easily recognizable – the Chanel suit, the Gucci bag, the Givenchy dress. In the golden age of American ballet, during the... Continue Reading →

Confessions of a Costumer

The performing arts are big business. In this industry, we have a lot of super important jobs for people who love the theater but who may have no interest in performing. This week, we sat down with Straz Center costumer Camille McClellan, who costumes dance and musical theater productions for the Patel Conservatory, to find... Continue Reading →

Pardon My French

On the neck of the foot? The bite of the donkey? The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of... Continue Reading →

Onward, Cavaliers

NGB’s Sugar Plum Fairies Get Sweet Partners in NYCB Principal Amar Ramasar and MCB Principal Renan Cerdeiro The word is out about the big ballet stars appearing in Next Generation Ballet’s Nutcracker, which features the George Balanchine grand pas de deux and New York City Ballet star Sara Mearns and former Miami City Ballet principal... Continue Reading →

EXCLUSIVE: Retired Miami City Ballet Principal Ballerina-Turned-Teacher Patricia Delgado Talks Sugar Plum Fairy and Dancing in Nutcracker at The Straz

Lauded principal ballerina Patricia Delgado retired from Miami City Ballet this year after an extraordinary career with the company that began when she was 16 years old. An exquisite technician and breathtaking artist, Delgado gave soul to MCB, and arrived at The Straz last summer as a guest artist (along with Balanchine great Edward Villella)... Continue Reading →

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