Pardon My French

The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of facing forward). Placement, a.k.a. alignment, and lift, a.k.a. pull-up, became fundamentals... Continue Reading →

House of Karinska

How a Russian defector built couture fashion from ballet costumes during the rise of New York City Ballet Chanel. Gucci. Givenchy. These famous fashion houses earned notoriety for their signature styles, making their designs easily recognizable – the Chanel suit, the Gucci bag, the Givenchy dress. In the golden age of American ballet, during the... Continue Reading →

Confessions of a Costumer

The performing arts are big business. In this industry, we have a lot of super important jobs for people who love the theater but who may have no interest in performing. This week, we sat down with Straz Center costumer Camille McClellan, who costumes dance and musical theater productions for the Patel Conservatory, to find... Continue Reading →

Pardon My French

On the neck of the foot? The bite of the donkey? The French codified ballet under King Louis XIV by defining the five basic positions of the feet and setting a catalog of positions related to the “turn-out” of the legs in the hip sockets (i.e., the legs rotate out of the hips instead of... Continue Reading →

Onward, Cavaliers

NGB’s Sugar Plum Fairies Get Sweet Partners in NYCB Principal Amar Ramasar and MCB Principal Renan Cerdeiro The word is out about the big ballet stars appearing in Next Generation Ballet’s Nutcracker, which features the George Balanchine grand pas de deux and New York City Ballet star Sara Mearns and former Miami City Ballet principal... Continue Reading →

EXCLUSIVE: Retired Miami City Ballet Principal Ballerina-Turned-Teacher Patricia Delgado Talks Sugar Plum Fairy and Dancing in Nutcracker at The Straz

Lauded principal ballerina Patricia Delgado retired from Miami City Ballet this year after an extraordinary career with the company that began when she was 16 years old. An exquisite technician and breathtaking artist, Delgado gave soul to MCB, and arrived at The Straz last summer as a guest artist (along with Balanchine great Edward Villella)... Continue Reading →

… Five, Six, Seven, Eight …

Understanding the summer dance intensive Dance training often begins as early as three years old with a training year of classes mimicking the school schedule. In June, recitals signal the culmination of study and show off the hard-won skills in a public dance performance. But then what? Cue the summer dance intensive, an integral part... Continue Reading →

Manual Transmission

Dance lineage is a big deal. A very big deal. So, when Next Generation Ballet got a descendant of Jerome Robbins, who was guided by George Balanchine, who was instructed by Marius Petipa, the Straz Center leapt for joy. Philip Neal, the artistic director for Next Generation Ballet, came to us from New York City... Continue Reading →

Practice Makes Perfect

Inside Next Generation Ballet’s Nutcracker rehearsal Dance rehearsal smells like feet and moist leotards. There’s nothing elegant about it. When the dancers work hard, improvising corrections on-the-fly from choreographers and ballet mistresses, there is a locker-room funk suspended in the air from sweat-dampened dance clothes, breath and many bodies moving in one studio classroom. So... Continue Reading →

Okay, Ladies, Now Let’s Get in Formation

Ballet conjures images of tutus, tights, impossible-looking turns on tips of toes and gravity-defying mid-air leaps. If you’ve never taken a ballet class or had a little ballet beginner, then you may not realize those tricky combinations of flicks, kicks, twists, tippy-toe steps, glides, bends and hops emerge from a seriously old set of schematics... Continue Reading →

New NGB Artistic Director and Dance Department Chair Philip Neal Brings Legacy of Jerome Robbins and George Balanchine

In June, Philip Neal officially joined the Patel Conservatory as the artistic director for Next Generation Ballet and chair of the dance department, the position formerly held by Peter Stark. George Balanchine and Jerome Robbins were to American dance what Babe Ruth and Joe DiMaggio were to baseball. Heavy-hitters, game-changers, larger-than-life personalities, Balanchine and Robbins... Continue Reading →

Lights on Tampa: Nick Cave’s HEARD

This isn’t the “of the Bad Seeds” Nick Cave. This is the performance artist Nick Cave who studied at the Ailey School and later joined the faculty at the Art Institute of Chicago. He now serves that institution as the director of the graduate fashion program. If you haven’t heard of him or had a... Continue Reading →

A View from the Feet

By guest blogger Carol Cohen, Mother Matryoshka performer for 5 years Among the whip-thin ballerinas performing grand jetés and assemblés in the Russian Imperial ballet of the Nutcracker, loom the rotund, bouncing figures of the Mother Matryoshkas—eight Russian nesting dolls, appearing in descending order of height and girth. The Matryoshkas--meaning “little mother” in Russian--appear on... Continue Reading →

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