Talking With Rochelle Bard

Opera Tampa favorite Rochelle Bard made her company debut as Magda in Puccini’s La Rondine in 2009 under the baton of Maestro Anton Coppola. She has since graced the Straz Center stages in productions of The Merry Widow and Die Fledermaus and in Coppola’s 2011 Fond Farewells Concert. She has performed leading roles with companies... Continue Reading →

Unfollowing the Rules Works Well for Wainwright

As the year 2020 began, anticipation for Rufus Wainwright’s upcoming album was running high. Unfollow the Rules would be Wainwright’s first album of new pop material in eight years. Fans had been clamoring for it since news of Wainwright recording with producer Mitchell Froom (Los Lobos, Elvis Costello) first surfaced in 2018. The album cover... Continue Reading →

ARTISTS WE LOVE: Marni Nixon

SHE COULD HAVE SUNG ALL NIGHT She was the voice of Deborah, Natalie and Audrey. Her lilting soprano delivering “Somewhere,” “Wouldn’t it be Loverly” and “Hello Young Lovers” in the film versions of West Side Story, My Fair Lady and The King and I, respectively. For her work on The King and I, Nixon was... Continue Reading →

Singer Welcomes Challenge of Opera Tampa Double-Header

Jean Carlos Rodriguez “Let’s play two!” was the catchphrase of Chicago Cubs shortstop Ernie Banks. Opera occasionally schedules double-headers as well. Opera Tampa is closing its season with two one-act operas: Puccini’s comedy Gianni Schicchi and Mascagni’s tragedy Cavalleria Rusticana. Jean Carlos Rodriguez performs in both operas and he’s wondering how much time he’ll have... Continue Reading →

Straz @ Home – Our Seventh Stage

Seven Wonders of the WorldSeven DwarfsSeven Deadly SinsSeven ContinentsSeven Days of CreationSeven Brides for Seven BrothersSeven SeasSeven Days a WeekSeven SistersSeven Swans a SwimmingSeven Hills of RomeSeven Words You Can’t Say on TelevisionSeven Colors of the Rainbow All sorts of things come in sevens – the good, the bad and the dwarfs. At The Straz,... Continue Reading →

Punch, Parry and Plunge

Stage combat choreographer Teresa E. Gallar discusses how to safely create fight scenes. Caught In the Act: How did you get started in this line of work? Teresa Gallar: Like any other physical endeavor, there is a thrill from a well-executed fight. Similar to a home run or field goal. It is even more satisfying to have a fight you choreographed... Continue Reading →

The 2019 D’Angelo Young Artist Vocal Competition honors Opera Tampa’s dedication to nurturing new artists. On a more personal note, the competition represents Opera Tampa League Board Chair Gina d’Angelo’s commitment to continuing her parents’ love of music through philanthropic support. When Straz Center donor and Opera Tampa League chairperson Gina d’Angelo was in college,... Continue Reading →

Triple Threat

The Straz Center’s Manager of Special Events Nicole Stickeler dons a bum roll to change into her next role for Opera Tampa. In show business, you’re considered a triple threat if you can sing, dance and act. In the performing arts, you’re considered a triple threat if you can sing, act and raise money. The... Continue Reading →

How Did You Get That Shot?

Longtime Opera Tampa and Straz Center photographer Rob Bovarnick reveals the secrets behind capturing that Pearl Fishers photo. Cardboard box. Plastic bag. Three thousand white beads ... What sounds like either the making of a Mardi Gras costume or the making of a very bizarre murder comprised the basic backstage ingredients of one of the... Continue Reading →

Raw, Sexy, Emotional

Die Fledermaus soprano and Opera Tampa returnee Rochelle Bard explains life in opera. One of the great injustices to opera is the enduring stereotype involving a strident woman in a blonde braid wig and a Viking hat. It’s not a very sexy image, and let’s face it: opera is sexy. The canon teems with gorgeous... Continue Reading →

Out, Out Dang Spot

North Carolina soprano Jill Gardner’s musical ancestry and training led her to killing the role of Lady Macbeth. On Friday the 13th, Opera Tampa unloads quite the murderfest with their debut performance of Verdi’s Macbeth. The bloody story of a Scottish nobleman’s immoral rise to power, Macbeth was for Shakespeare, and here, for Verdi, really... Continue Reading →

When Things Get Wyrd, Shake(speare) It Off

Giuseppe Verdi’s version of “more cowbell” looks something like an entire chorus of witches in Macbeth versus the Bard’s three. In 1597, King James of Scotland wrote a work of what he considered to be definitive scholarship: Daemonologie, a paper on witchcraft. James, widely regarded by self and others to be an expert on the... Continue Reading →

Up ↑